A school teacher with supernatural sensitivities chances upon a pair of ghostly lovers who are trapped in her new home. Reluctant at first, she helps them understand that clinging to the material world is a futile effort, and helps them find a way out.

How We Used to Live is a British educational historical television drama written by Freda Kelsall and sometimes narrated by Redvers Kyle and John Crosse, both employed as continuity announcers at Yorkshire Television at the time of production. Production began in 1968 at the YTV studios in Leeds. The series traced the lives and fortunes of various fictional Yorkshire families from the Victorian era until the 1960s, in and around the fictional town of Bradley, using self-contained short dramas interspersed with archive footage.

1954. The first detachment of young virgin lands arrives in the remote Kazakh steppe. The old forester Bulanbai warns the guys about the difficulties, but the youth boldly gets to work. We have to fight not only with the harsh nature, but also with the inertia of the director of the trust of state farms Kuanysh Korkutov. Contrary to his instructions, the director of the Komsomolsky state farm Kudryash prefers to process heavy, but more promising land masses. The secretary of the regional committee Beisov supports Kudryash. Korkunov is being removed from office. Soon a new group of young people arrives at the state farm...

The film depicts the challenging daily life of rural workers.

This is the story of the USSR all-star basketball team – European, Olympic and world champions. What does it mean to be at the zenith of fame, at the high-point of their athletic careers, while representing the interests of a totalitarian state? And from today’s point of view, was there a sacrificing of conscience in the name of athletic glory?

Jonas turns thirty and brings his closest friends to a remote cabin in the woods. Martin and Heather, who have always been the group's mum and dad, arrive hiding a secret. They've just broken up. Small tensions grow and one confession triggers another until everyone is forced to be honest in a way they've been avoiding for years. Harsh truths slip out, loyalties blur and everyone begins questioning whether their friendships have survived adulthood. When the night reaches its peak, the group is forced to face the painful possibility that growing up may mean growing apart.

Shot between Hong Kong, Japan, and the US, this short is Joshua Gen Solondz’s most ambitious work to date, a portrait of the home and the world that is dense, textured, creepy, anxious, noisy, silly, and confounding, but always tender.

Farm families in Lestock, Saskatchewan, have pooled their resources so that rising operating costs will not drive them off their land. By pooling their land, their equipment, their livestock, and farming as a cooperative, they are able to live as they choose, to maintain their standard of living, and even to have some spare time left over to enjoy. An engaging look at a novel approach to big-scale farming.

暂无剧情简介

This short film tells the story of a childhood, of a friendship and of growing up. A young man returns to the village where he grew up and discovers that both he and the place have changed. Yet, he soon finds himself immersed in his memories.